Editor for film, broadcast tv and online.

Based in London.

Portfolio

“Editing with Steph was an absolute pleasure: a truly creative editor who approached the project with both an open and receptive mind as well as her own ideas and a consistent commitment to the craft of visual storytelling. Technically versatile, she brings a light personal touch that is ideal when working to deadline and meeting the many requirements of delivery for broadcast.”

— Paul Glynn, Director ‘The Mountain Will Fall’
“Steph is an ideal person to be within an edit. She is calm, creative, collaborative and also flexible - a character rarer than you’d think in a film editor. Her ability to find shots that match intention is impressive and she is quick and efficient with her time. The sequences she creates tell stories with pace and rhythm and her technical ability is second-to-none, essential when working remotely.”

— Keely Winstone, Producer ‘My D-Day’
"Steph is a delight to work with. She is both brilliantly creative and super organised. Whether it’s a feature doc or a piece of branded content she has a great gift for storytelling and eye for detail. An editor that you don’t want to let go of."

- Simon Tucker, Director ‘Row 400 - Abu Dhabi's Waters & The Gates of Hell’
“Steph revealed once that she thinks, or she was once told, that the editor needs to feel like the director’s friend. That may be true, I certainly felt that; but more importantly, I felt Steph was a brilliant, devoted friend to the material, to the film. She fought for the truth. Her instincts are so so good; and they are the instincts of the documentarian that pursues truth and the dramatist that understands timing, rhythm and the power of performance. And without dismissing everything else I’ve written here; boy is she a good laugh.”

— Matthew Dunster, Director ‘Judy & Arrival’
“I have worked with Steph on many projects for clients such as Natwest, Diageo, NHS and Activia. Not only has every film she cut resulted in both an extremely happy client and producer, she is an absolute delight to work with. She has fantastic storytelling sensibilities, is great with music, is super speedy for fast turnaround projects and has a religious eye for detail. She is my first port of call for any branded content project and selfishly, I hope I’m not shooting myself in the foot for providing this testimonial if it results in her being even more busy and unavailable for my projects!”

— Peter Crystal, Producer ‘Look Into My Eyes’
"Steph was a pleasure to work with, she’s quick, conscientious and has an eye for detail. We were both working remotely, which was a shame as we got on well, but that didn’t hinder our creativity and Steph was always available on the phone to talk through ideas. I would highly recommend her as an editor and hope to work with her again soon. "

— Ellie Arkle - EP17 ‘The Cruise’ (CH5)

Documentary Editing

Drama / Film Editing

Commercials & Branded Content

Broadcast & Online Video

I work across documentaries, drama, commercials, and branded content, helping shape footage into clear, engaging stories. Whether it’s drawing out the emotion in a documentary, building the right pace in a drama, or polishing a commercial, the aim is always the same: to make the edit feel natural.

Every project has its own needs, so I adapt my approach to fit. Sometimes that means fine-tuning details for broadcast standards, other times it’s creating quick turnarounds for online campaigns. Either way, I focus on making sure the final piece connects with the audience it’s meant for.

Working together